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The process of channeling art


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Does channeling art start by first assuming the "role" of an artist, or is it initiated by the intuitive individual on the path who can receive insights from unseen realms, which are then developed before the painting process begins? Have you ever been curious about how artists who have the ability to connect and channel actually create a piece of art, whether it's a painting, sculpture, or any other form of physically manifested masterpiece? Where does the inspiration come from that turns nothing into something? The whole process starts with the breath. Inspiration means to breathe in the spirit. The physical body is the frame in which every human experience blossoms. Opening the human vessel to the unknown process of becoming that pathway for the expression to take place means to be an open invitation to what is to come. Some artists adopt a more methodical and, perhaps, mechanical approach to creating and expressing their vision from what's known as a style or collection of similar-looking items. Every pathway and road leading to a desired outcome has its own purpose and holds value and beauty to the observed and the observer. If you are curious about my personal process and how it's been sparked in me, continue reading. I will explore this on a deeper level and share with you the channeling of the feminine form art through the energetic impulses that present themselves to me. As an intuitive, I receive messages from other realms, whether it's from passed loved ones trying to communicate with the embodied ones or other vast dwelling energies surrounding us on a daily basis, assisting with their wisdom. Delivering the information down through the form of visual, tangible creation is not as much of a multi-step process in my case but more of an intimate process with channeling the feminine form goddess. There are times I have no prior sensation of whom I will be collaborating with and what expressive energy is waiting for me to connect with. Other times, there will be a specifically oriented one sort of knocking on my door, trying to catch my attention, wanting to be acknowledged and honored. I will then pre-sketch the frame of the portrait to be a blueprint of the final presentation. It's like seeing a ghost where you notice that there is something there, but you can't retrieve any details. That initial layout is a vortex, a portal through which the form manifests its essence. The mystery of the color combination will start to reveal itself as well as any other details. The entire connection through the metaphysiology leaves the process unknown to the intellectual part of my being. As I sense the energy of the goddess, I start "seeing" through my intuitive receptors, the notions and the hints of the upcoming vision. There's a flow occurring in this whole process filled with emotions surrounding it... joy, upliftment, and a sense of fulfillment.


 
 
 

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